Carl Orff
German composer
Carl Heinrich Maria Orff (German: [kaʁl ˈʔɔʁf]; 10 July 1895 – 29 March 1982) was a German composer and music educator who is best known for composing the cantata Carmina Burana and formulating concepts of his Schulwerk (lit. 'schoolwork'), which became influential for children's music education.
Orff was also an influential pedagogue who, along with colleagues like Gunild Keetman, developed an approach (the "Orff Schulwerk") to teaching children, which is a collection of fundamental principles to ensure every child learns music, much like a new language, in a comfortable environment. It involves tools like elementary forms of instruments and specifically composed music (the original form of the Schulwerk).
A member of the Reichsmusikkammer but not the Nazi Party, Orff's relationship with the Third Reich has been analysed by many as he was considerably successful (musically and financially) under its rule, and his work was well-liked by contemporary critics. Having concealed his part-Jewish ancestry throughout his life, Orff underwent denazification and was rated "'Grey C', acceptable" by psychiatrist Bertram Schaffner, who characterized him as a passive anti-Nazi. He was granted an unrestricted license with no further prohibitions from public musical activities, and continued to compose stage works and rework previous compositions up till his death in 1982.
Read more about this composer on Wikipedia.
- A Young Girl
- Act III "Warum habt ihr ratlosen Zungenkrieg"
- Antigonae: I. "Bedenke, Schwester, wie der Vater, von uns"
- Antigonae: I. "Gemeinsamschwesterliches! O Ismenes Haut!"
- Antigonae: I. "Ihr Männer, wär's die Stadt allen"
- Antigonae: I. "Mein König, diesmal plaudr' ich nicht"
- Antigonae: I. "Mein König, lange rät, es möchte göttlich"
- Antigonae: I. "O Blick der Sonne, du schönster"
- Antigonae: I. "Und schlimme Worte fuhren drcheinander"
- Antigonae: I. "Zuletzt, als weiter nichts zu forschen war, spricht einer"
- Antigonae: I. "Zwischenspiel"
- Antigonae: II. "Aber jetzt kommt aus dem Tor Ismene"
- Antigonae: II. "Die ist's. Die hat's getan"
- Antigonae: II. "Du also, die zur Erde neigt das Haupt"
- Antigonae: II. "Du weißt doch wohl, daß allzuspröde Sprach'"
- Antigonae: II. "Ungeheuer ist viel"
- Antigonae: II. "Wie Gottes Versuchung aber steht es vor mir"
- Antigonae: III. "Als wie von Gott, himmlisch kommt die Besinnung"
- Antigonae: III. "Bald haben wohl, o Sohn, mehr als die Seher"
- Antigonae: III. "Geist der Liebe, dennoch Sieger"
- Antigonae: III. "Glückselige solcher Zeit, da man nicht schmeckt das Übel"
- Antigonae: III. "Jetzt aber komm' ich eben selber"
- Antigonae: III. "Mein König, billig ist es, wenn er an der Zeit spricht"
- Antigonae: III. "O Grab! O Brautbett!"
- Antigonae: IV. "Der Leib auch Danaes musste"
- Antigonae: IV. "Der Mann, mein König, ging viel prophezeiend"
- Antigonae: IV. "Ihr Fürsten Thebes! Miteinander kommen"
- Antigonae: IV. "O Alter! Alle, wie auf eines Schützen Ziel"
- Antigonae: IV. "O des Landes Thebes Vaterliche Stadt"
- Antigonae: V. "Ich, liebe Frau, sag' es, als Augenzeuge"
- Antigonae: V. "Io! Unsinnige Sinne!"
- Antigonae: V. "Namenschopfer, der du von den Wassern, welche Kadmos"
- Antigonae: V. "O all ihr Bürger! Eine Rede merkt' ich"
- Antigonae: V. "O ihr des Kadmos Nachbarn und Amphios"
- Antigonae: V. "Um Vieles ist das Denken mehr"
- Antigonae: V. "Weh! Weh! Weh! Weh! Mich beflügelt die Furcht"
- Antigonae: V. "Wie nimmst du dies? Die Frau ging wieder weg"
- Boiling Rage
- Carmina Burana Vocal
- Carmina Burana (Cantiones Profanae)
- Carmina Burana (Cantiones profanae): I. O Fortuna, velut Luna
- Carmina Burana (Cantiones profanae): II. Fortune plango vulnera
- Carmina Burana (Cantiones profanae): III. Ecce gratum
- Carmina Burana (Cantiones profanae): IV. Tanz: Uf dem anger
- Carmina Burana (Cantiones profanae): IX. In taberna quando sumus
- Carmina Burana (Cantiones profanae): V. Floret silva nobilis
- Carmina Burana (Cantiones profanae): VI. Were diu werlt alle min
- Carmina Burana (Cantiones profanae): VII. Amor volat undique
- Carmina Burana (Cantiones profanae): VIII. Ego sum abbas
- Carmina Burana (Cantiones profanae): X. In trutina
- Carmina Burana (Cantiones profanae): XI. Dulcissime
- Carmina Burana (Cantiones profanae): XII. Ave, formosissima
- Carmina Burana (Cantiones profanae): XIII. Fortuna, Imperatrix Mundi
- Carmina Burana: Blanziflor et Helena: 24. Ave formosissima
- Carmina Burana: Fortuna Imperatrix Mundi
- Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
- Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortuna plango vulnera
- Carmina Burana: Fortuna imperatrix mundi: 25. O Fortuna (reprise)
- Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
- Carmina Burana: I. O Fortuna
- Carmina Burana: I. Primo Vere
- Carmina Burana: I. Primo vere
- Carmina Burana: I. Primo vere: 3. Veris leta facies
- Carmina Burana: I. Primo vere: 4. Omnia sol temperat
- Carmina Burana: I. Primo vere: 5. Ecce gratum
- Carmina Burana: II. Fortune Plango Vulnera
- Carmina Burana: II. In Taberna
- Carmina Burana: II. In Taberna: 11. Estuans Interius
- Carmina Burana: II. In Taberna: 12. Olim lacus colueram
- Carmina Burana: II. In Taberna: 13. Ego sum abbas
- Carmina Burana: II. In Taberna: 14. In taberno quando sumus
- Carmina Burana: III. Cour d’amours
- Carmina Burana: III. Cour d’amours: 15. Amor volat undique
- Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia
- Carmina Burana: III. Cour d’amours: 17. Stetit puella
- Carmina Burana: III. Cour d’amours: 18. Circa mea pectora
- Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula
- Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias
- Carmina Burana: III. Cour d’amours: 21. In trutina
- Carmina Burana: III. Cour d’amours: 22. Tempus ist iocundum
- Carmina Burana: III. Cour d’amours: 23. Dulcissime
- Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
- Carmina Burana: IV. Omnia Sol Temperat
- Carmina Burana: IX. Reie
- Carmina Burana: Uf dem Anger
- Carmina Burana: Uf dem Anger: 6. Tanz
- Carmina Burana: Uf dem Anger: 7. Floret silva
- Carmina Burana: Uf dem Anger: 8. Chramer, gip die varwe mir
- Carmina Burana: Uf dem Anger: 9. Reie / Swaz hie gat umbe / Chume, chum geselle min
- Carmina Burana: V. Ecce Gratum
- Carmina Burana: X. Were Diu Werlt Alle Min
- Carmina Burana: XI. Estuans Interius
- Carmina Burana: XIII. Ego Sum Abbas
- Carmina Burana: XIV. In Taberna Quando Sumus
- Carmina Burana: XIX. Si Puer Cum Puellula
- Carmina Burana: XVII. Stetit Puella
- Carmina Burana: XVIII. Circa Mea Pectora
- Carmina Burana: XX. Veni, Veni, Venias
- Carmina Burana: XXII. Tempus Est Iocundum
- Carmina Burana: XXIII. Dulcissime
- Carmina Burana: XXIV. Ave, Formosissima
- Carmina Burana: XXV. O Fortuna
- Catulli Carmina Vocal
- Catulli Carmina - Chorus: Eis aiona!
- Catulli Carmina - Exodium
- Catulli Carmina, act 1: 1. Odi et amo
- Catulli Carmina, act 1: 2. Vivamus, mea Lesbia, atque amemus
- Catulli Carmina, act 1: 4. Caeli!
- Catulli Carmina, act 1: 5. Nulli se dicit mulier mea nubere mali
- Catulli Carmina, act 2: 10. Ammina puella defututa tota milia me decem poposcit
- Catulli Carmina, act 2: 11. Miser, Catulle, desinas ineptire
- Catulli Carmina, act 2: 12. Nulla potest mulier tantum se dicere amatam
- Catulli Carmina, act 2: 6. Jucundum, mea vita mihi proponis amorem
- Catulli Carmina, act 2: 7. Desine de quoquam quiquam bene velle mereri
- Catulli Carmina, act 2: 8. Odi et amo
- Catulli Carmina, act 2: 9. Amabo mea dulcis Ipsitilla
- Catulli Carmina: Actus I
- Catulli Carmina: Actus II
- Come, My Beauty
- Concento di voci
- Concento di voci: I. Sirmio. Tria Catulli Carmina
- Concento di voci: II. Laudes creaturarum
- Concento di voci: III. Sunt lacrimae rerum
- Das Wessobrunner Gebet
- De temporum fine comoedia: I. Die Sibyllen. "Choneusó gar hapanta kai eis katharón dialéxo"
- De temporum fine comoedia: I. Die Sibyllen. "Heis theós estin anarchos, hypermegéthaes, agénaetos"
- De temporum fine comoedia: I. Die Sibyllen. "Opse theü g'aléüsi myloi"
- De temporum fine comoedia: I. Die Sibyllen. "Vae! Ibunt impii in gehennam ignis eterni"
- De temporum fine comoedia: II. Die Anachoreten. "Gott, schenk uns Wahrsagung, Weissagung, Hellsicht im Traum. Gott, schenk uns den Traum"
- De temporum fine comoedia: II. Die Anachoreten. "Mundus terrenus volvitur"
- De temporum fine comoedia: II. Die Anachoreten. "Unos solus Deus ab aeterno in aeternum"
- De temporum fine comoedia: II. Die Anachoreten. "Upote, maepote, maepu, maedépote... ignis eterni immensa tormenta"
- De temporum fine comoedia: II. Die Anachoreten. "Wann endet die Zeit?"
- De temporum fine comoedia: III. "Dies Illa". "Angor, timor, horror, terror ac pavor invadit omnes"
- De temporum fine comoedia: III. "Dies Illa". "Kyrie" / "Serva nos, salva nos, eripe nos!"
- De temporum fine comoedia: III. "Dies Illa". "Omne genus daemoniorum caecorum, claudorum sive confusorum, attendite iussum meorum et vocationem verborum"
- De temporum fine comoedia: III. "Dies Illa". "Pater peccavi"
- De temporum fine comoedia: III. "Dies Illa". "Vae, Portae Inferi oculus aspicit nos tenebrarius tenebris"
- De temporum fine comoedia: III. "Dies Illa". Con sublima spiritualità
- Der Mond
- Der Mond: "Alle, die wir ringsum stehn" (Chor)
- Der Mond: "Der Mond ist fort" (Chor, Kinderchor)
- Der Mond: "Die Vier versorgten den Mond mit Öl" (Erzähler)
- Der Mond: "Du spielst, als lägst du noch im Grab" (Kartenspieler, Würfler, Kegler, Säufer)
- Der Mond: "Floret silva undique" (Chor, Mädel, Vier Burschen)
- Der Mond: "So hängt ihn auf" (Wirt)
- Der Mond: Petrus / Ensemble
- Der gute Mensch
- Dithyrambi: Dithyrambe / Beifall
- Trionfo di Afrodite Vocal
The Long Line