George Antheil

American avant-garde composer, pianist, author and inventor

George Johann Carl Antheil ( AN-tyle; July 8, 1900 – February 12, 1959) was an American avant-garde composer, pianist, author, and inventor whose modernist musical compositions explored the sounds – musical, industrial, and mechanical – of the early 20th century. Spending much of the 1920s in Europe, Antheil returned to the United States in the 1930s, and thereafter composed music for films, and eventually, television. As a result of this work, his style became more tonal. A man of diverse interests and talents, Antheil was constantly reinventing himself. He wrote magazine articles, an autobiography, a mystery novel, and newspaper and music columns.

In 1941, Antheil and the actress Hedy Lamarr developed a radio guidance system for Allied torpedoes that used a code (stored on a punched paper tape) to synchronize frequency changes, referred to as frequency hopping, between the transmitter and receiver. It is one of the spread spectrum techniques that became widely used in modern telecommunications. This work led to their induction into the National Inventors Hall of Fame in 2014.

Read more about this composer on Wikipedia.

  • Ballet mécanique: For 4 pianos, 2 electric bells, 2 airplane propellers and percussion 1924 Stage
  • A Jazz Symphony: For piano and orchestra 1925 Orchestral
  • 2 Toccatas, W. 72
  • A Jazz Symphony, W. 157b
  • Archipelago
  • Ballet mécanique, W. 156c
  • Can-Can
  • Capital of the World Suite, W. 198
  • Capital of the World Suite, W. 198: I. The Tailor Shop
  • Capital of the World Suite, W. 198: II. Meditation
  • Capital of the World Suite, W. 198: III. Knife Dance & Farruca
  • Capital of the World, W. 249
  • Capital of the World, W. 249: The Prostitute
  • Concert for Chamber Orchestra, W. 170
  • Concerto for Piano and Orchestra no. 1
  • Dementia
  • Dreams
  • Dreams: No. 1. Introduction
  • Dreams: No. 2. Andante – Allegro molto
  • Dreams: No. 3. Polka
  • Dreams: No. 4. Rat
  • Dreams: No. 5. Acrobate
  • Dreams: No. 6. King’s March
  • Dreams: No. 7. Can-Can
  • Dreams: No. 8. Valse lent
  • Dreams: No. 9. Finale. Presto
  • Eight Fragments from Shelley, W. 102
  • Eight Fragments from Shelley, W. 102: I. When Soft Winds
  • Eight Fragments from Shelley, W. 102: II. To the Moon
  • Eight Fragments from Shelley, W. 102: III. When the Lamp Is Shattered
  • Eight Fragments from Shelley, W. 102: IV. I Stood Upon a Heaven Cleaving Turret
  • Eight Fragments from Shelley, W. 102: V. A Dirge
  • Eight Fragments from Shelley, W. 102: VI. To-Morrow
  • Eight Fragments from Shelley, W. 102: VII. Sonnet to Byron
  • Eight Fragments from Shelley, W. 102: VIII. I Faint, I Perish With My Love
  • Fighting the Waves, W. 212
  • Hot-Time Dance
  • In a Lonely Place
  • La Femme 100 têtes, W. 60
  • La Femme 100 têtes, W. 60: I. Thoughtfully. Not too slow
  • La Femme 100 têtes, W. 60: II. Thoughtfully. Not too slow
  • La Femme 100 têtes, W. 60: III. Faintly Energetic
  • La Femme 100 têtes, W. 60: IV. Floating
  • La Femme 100 têtes, W. 60: IX. Sad
  • La Femme 100 têtes, W. 60: Percussion Dance
  • La Femme 100 têtes, W. 60: V. Furioso
  • La Femme 100 têtes, W. 60: VI. Floating
  • La Femme 100 têtes, W. 60: VII. Sad
  • La Femme 100 têtes, W. 60: VIII. Electrical. Spiccato
  • La Femme 100 têtes, W. 60: X. Slightly brutal tempo
  • La Femme 100 têtes, W. 60: XI. Bawdy ferocious tempo
  • La Femme 100 têtes, W. 60: XII. Brilliant Clean. Fast
  • La Femme 100 têtes, W. 60: XIII. Nostalgic. Twisted slowly
  • La Femme 100 têtes, W. 60: XIV. Brilliant. Fast, tricky
  • La Femme 100 têtes, W. 60: XIX. Fast. An even piano throughout
  • La Femme 100 têtes, W. 60: XL. Nostalgic
  • La Femme 100 têtes, W. 60: XLI. Brilliant
  • La Femme 100 têtes, W. 60: XLIII. Brilliant. Not too fast
  • La Femme 100 têtes, W. 60: XLIV. A Machine
  • La Femme 100 têtes, W. 60: XLV. Cruel. Quick
  • La Femme 100 têtes, W. 60: XV. Slowly
  • La Femme 100 têtes, W. 60: XVI. Lights Flashing
  • La Femme 100 têtes, W. 60: XVII. Brilliant
  • La Femme 100 têtes, W. 60: XVIII. Banged. An even forte throughout
  • La Femme 100 têtes, W. 60: XX. Faster
  • La Femme 100 têtes, W. 60: XXI. Slower
  • La Femme 100 têtes, W. 60: XXII. Faster. An even fortissimo throughout
  • La Femme 100 têtes, W. 60: XXIII. Well articulated
  • La Femme 100 têtes, W. 60: XXIV. Slowly
  • La Femme 100 têtes, W. 60: XXIX. Nostalgic. Slowly
  • La Femme 100 têtes, W. 60: XXV. Minuet?
  • La Femme 100 têtes, W. 60: XXVI. Onward Christian Soldiers
  • La Femme 100 têtes, W. 60: XXVII. Dreaming Thoughtfully
  • La Femme 100 têtes, W. 60: XXVIII. Knocked and Brillliant
  • La Femme 100 têtes, W. 60: XXX. Brilliant
  • La Femme 100 têtes, W. 60: XXXI. Not too slow fairly good tempo
  • La Femme 100 têtes, W. 60: XXXII. Sad
  • La Femme 100 têtes, W. 60: XXXIII. Mystic Temple
  • La Femme 100 têtes, W. 60: XXXIV. Brilliant
  • La Femme 100 têtes, W. 60: XXXIX. Brilliant and Naked
  • La Femme 100 têtes, W. 60: XXXV. Furioso
  • La Femme 100 têtes, W. 60: XXXVI. Glittering. Fast
  • La Femme 100 têtes, W. 60: XXXVII. Subtle. Tender
  • La Femme 100 têtes, W. 60: XXXVIII. Broad
  • Liberation of France
  • Lithuanian Night, W. 125
  • Lithuanian Night, W. 125: I. Moderato
  • Lithuanian Night, W. 125: II. Presto
  • Little Shimmy, W. 45
  • McKonkey's Ferry (Washington at Trenton); A Concert Overture, W. 188
  • Mechanisms, W. 50
  • Mechanisms, W. 50: 1.
  • Mechanisms, W. 50: 2.
  • Mechanisms, W. 50: 3.
  • Nocturne in Skyrockets
  • Over the Plains
  • Piano Concerto no. 2
  • Piano Concerto no. 2: I. Moderato
  • Piano Concerto no. 2: II. Largo
  • Piano Sonata no. 2, W. 40 "Airplane": I. To be played as fast as possible
  • Piano Sonata no. 2, W. 40 "Airplane": II. Andante moderato
  • Piano Sonata no. 3, W. 42 "Death of the Machines"
  • Piano Sonata no. 3, W. 42 "Death of the Machines": I. Moderato
  • Piano Sonata no. 3, W. 42 "Death of the Machines": II. Accelerando
  • Piano Sonata no. 3, W. 70: I. Allegro
  • Piano Sonata no. 4, W. 71
  • Piano Sonata no. 4, W. 71: I. Allegro giocoso
  • Piano Sonata no. 4, W. 71: II. Andante
  • Printemps I, W. 132.5a
  • Printemps II, W. 132.5b
  • Quartet No. 2 for Strings (Original Version, 1927), "For Sylvia Beach, with Love"
  • Quartet No. 2 for Strings (Original Version, 1927), "For Sylvia Beach, with Love": II. Lento
  • Quartet No. 2 for Strings (Original Version, 1927), "For Sylvia Beach, with Love": IV. Presto - Cadenza finale
  • Quartet No. 3 for Strings
  • Quartet No. 3 for Strings: III. Scherzo - Quasi presto
  • Quartet No. 3 for Strings: IV. Allegro giocoso
  • Serenade for String Orchestra no. 1, W. 189: III. Vivo
  • Serenade no. 2 for Orchestra: I. Moderately Fast – Poco più mosso
  • Serenade no. 2 for Orchestra: II. Adagio
  • Six Little Pieces for String Quartet, "For Mary Louise Bok": 1. Moderato expressivo
  • Six Little Pieces for String Quartet, "For Mary Louise Bok": 2. Allegro
  • Six Little Pieces for String Quartet, "For Mary Louise Bok": 3. Andante (Six Little Pieces for String Quartet (1931))
  • Six Little Pieces for String Quartet, "For Mary Louise Bok": 5. Vivo (Six Little Pieces for String Quartet (1931))
  • Sonata for Flute & Piano: I. Allegro
  • Sonata for Trumpet and Piano, W. 143
  • Sonata for Trumpet and Piano, W. 143: I. Allegro
  • Sonata for Trumpet and Piano, W. 143: III. Scherzo. Vivace
  • Sonata sauvage, W. 41
  • Sonata sauvage, W. 41: I. Allegro Vivo
  • Sonatina
  • Sonatina für Radio, W. 58
  • Story for Peter: Captain Peter Shoots Down Nazi Air Ship
  • Story for Peter: Mu-Uh-Uch in the Moonlight
  • Story for Peter: Peter Pokes a Pig
  • String Quartet no. 1
  • Symphony for Five Instruments (second version) "Quintette", W. 129b
  • Symphony no. 1 “Zingaresca”: I. Innocènte
  • Symphony no. 1 “Zingaresca”: IV. Ragtime
  • Symphony no. 3 "American"
  • Symphony no. 3 "American": II. Andante
  • Symphony no. 3 "American": IV. Back to Baltimore. Presto
  • Symphony no. 4 "1942"
  • Symphony no. 4 "1942": II. Allegro
  • Symphony no. 4 "1942": IV. Allegro non troppo
  • Symphony no. 5: “Joyous”, W. 186: III. Finale. Allegretto
  • Symphony no. 6
  • Symphony no. 6: I. Maestoso – Allegro molto; Marcato
  • Symphony no. 6: III. Allegro
  • Violin Sonata no. 1, W. 130: I. Allegro moderato
  • Violin Sonata no. 1, W. 130: III. Funebre. Lento espressivo
  • Violin Sonata no. 1, W. 130: IV. Presto