Les pêcheurs de perles
Opera
Les pêcheurs de perles is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylon (Sri Lanka), the opera tells the story of how two men's vow of eternal friendship is threatened by their love for the same woman, whose own dilemma is the conflict between secular love and her sacred oath as a priestess.
Synopsis
Place: Ceylon
Time: Ancient times
- Prélude
Acte I
The scene is a desolate seashore, with the ruins of a Hindu temple in the background. A chorus of pearl fishermen sing of the dangerous tasks that lie ahead ("italic=no"), and perform ritual dances to drive away evil spirits. They then elect one of their number, Zurga, as their leader, or "king". Nadir enters, and is hailed by Zurga as a long-lost friend. Left alone, the pair reminisce about their past in the city of Kandy, where their friendship was nearly destroyed by their mutual love of a young priestess whose beauty they had glimpsed briefly. They had each renounced their love for this stranger and had sworn to remain true to each other. Now, reunited, they affirm once again that they will be faithful until death ("Au fond du temple saint").
A boat draws up on the beach bearing the veiled figure of Leila, the virgin priestess whose prayers are required to ensure the safety of the fishermen. Although neither Nadir nor Zurga recognises her, she is the woman from Kandy with whom both had been in love. As Zurga is explaining her duties, she recognises Nadir, but she says nothing and shortly afterwards is led up to the temple by the high priest Nourabad. Zurga and the fishermen go down to the sea, leaving Nadir alone. In a troubled soliloquy before he sleeps he recalls how, in Kandy, he had broken his vows to Zurga and pursued his love for the veiled woman ("italic=no"). It was the rumour that she might be found in this place that brought him here. Alone in the temple, Leila prays and sings. Nadir wakes and, recognising the voice of his long-desired lover, traces it to the temple. Leila briefly draws her veil aside, he sees it is she and the pair declare their renewed passion. On the beach, the fishermen plead with her to continue protecting them, but she tells Nadir she will sing for him alone ("italic=no").
- No. 1 Introduction « Sur la grève en feu » (Chœur)
- No. 1 Scène et chœur « Amis, interrompez vos danses … » (Zurga, Nadir, Chœur)
- No. 1 Récit « Mais qui vient la ? » (Chœur, Zurga, Nadir)
- No. 1 Couplet « Des savanes et des forêts » (Nadir)
- Récit et reprise du chœur dansé « Demeure parmi nous, Nadir » (Zurga, Nadir, Chœur)
- No. 2 Récit « C’est toi, toi qu’enfin je revois ! » (Zurga, Nadir)
- No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
- No. 2 « Amitié sainte » (Zurga, Nadir)
- No. 3 Récit « Que vois-je ? » (Zurga, Nadir)
- No. 3 « C'est elle, la voici » (Chœur)
- Chœur « Elle vient ... Sois la bienvenue » (Chœur)
- No. 3 Scène et chœur « Seule au milieu de nous » (Zurga, Leïla, Chœur)
- « Qu’as‐tu donc ? » (Zurga, Leïla, Nadir, chœur)
- No. 4 Récit « À cette voix quel trouble » (Nadir)
- No. 4 Romance « Je crois entendre encore » (Nadir)
- No. 5 Chœur et récit « Le ciel est bleu » (Nadir, Nourabad, Chœur)
- Air et chœur "Ô Dieu Brahma !" (Leïla, Nadir, Chœur)
Acte II
In the temple with Nourabad, Leila expresses fear at being left alone, but Nourabad exhorts her to be brave and to fulfil her vows to Brahma on pain of her own death. She tells him of the courage she once displayed when, as a child, she had hidden a fugitive from his enemies and refused to give him up even when threatened with death ("italic=no"). The fugitive had rewarded her with a necklace that he asked her always to wear. She had kept this promise, as she would her vows. On the priest's departure, Leila quietly muses on the former times when she and Nadir would meet together secretly ("italic=no"). Nadir then enters; in her fear of Nourabad's threats Leila begs him to leave, but he remains and the two declare their love in a passionate duet ("italic=no"). He goes, promising to return next night, but as he leaves he is captured by the fishermen and brought back to the temple. Zurga, as the fishermen's leader, at first resists the fishermen's calls for Nadir's execution and advocates mercy. However, after Nourabad removes Leila's veil, Zurga recognises her as his former love; consumed by jealousy and rage, he orders that both Nadir and Leila be put to death. A violent storm erupts, as the fishermen unite in singing a hymn to Brahma ("Brahma divin Brahma!").
- No. 6 Entracte, scène et chœur « L'ombre descend des cieux » (Leïla, Nourabad, chœur)
- No. 6 Scène « Les barques ont regagné la grève » (Chœur, Leïla, Nourabad)
- « J’étais encore enfant » (Leïla, Nourabad, chœur)
- No. 7 Récit et cavatine « Me voilà seule dans la nuit » (Leïla)
- No. 8 Chanson « De mon amie » (Nadir, Leïla)
- No. 9 Duo « Leïla ! Dieu puissant » (Nadir, Leïla)
- Duo « Ton cœur n’as pas compris le mien » (Leïla, Nadir)
- No. 10 Final (début) « Ah ! Revenez à la raison » (Leïla, Nadir, Nourabad, Chœur)
- No. 10 Final (fin) "Arrêtez ! C'est à moi d'ordonner" (Zurga, Leïla, Nourabad, chœur)
Acte III
In his tent on the beach, Zurga notes that the storm has abated, as has his rage; he now feels remorse for his anger towards Nadir ("italic=no"). Leila is brought in; Zurga is captivated by her beauty as he listens to her pleas for Nadir's life, but his jealousy is rekindled. He confesses his love for her, but refuses mercy ("italic=no"). Nourabad and some of the fishermen enter to report that the funeral pyre is ready. As Leila is taken away, Zurga observes her giving one of the fishermen her necklace, asking for its return to her mother. With a shout, Zurga rushes out after the group and seizes the necklace.
Outside the temple, Nadir waits beside the funeral pyre as the crowd, singing and dancing, anticipates the dawn and the coming double execution ("italic=no"). He is joined by Leila; resigned now to their deaths, the pair sing of how their souls will soon be united in heaven. A glow appears in the sky, and Zurga rushes in to report that the fishermen's camp is ablaze. As the men hurry away to save their homes, Zurga frees Leila and Nadir. He returns the necklace to Leila, and reveals that he is the man she saved when she was a child. He recognises now that his love for her is in vain, and tells her and Nadir to flee. As the couple depart, singing of the life of love that awaits them, Zurga is left alone, to await the fishermen's return ("italic=no!").
(In the revised version of the ending introduced after the opera's 1886 revival, Nourabad witnesses Zurga's freeing of the prisoners and denounces him to the fishermen, one of whom stabs Zurga to death as the last notes sound of Leila and Nadir's farewell song. In some variations Zurga meets his death in other ways, and his body is consigned to the pyre.)
- No. 11 Entracte, récit et air « L'Orage s'est calmé » ... « Ô Nadir, tendre ami » (Zurga)
- « Qu’ai‐je vu ? Ô ciel, quel trouble ! » (Zurga, Leïla)
- No. 12 Duo « Je frémis, je chancelle » (Leïla, Zurga)
- « Quoi ! Innocent ? » (Leïla, Zurga)
- « Je suis jaloux ! » (Zurga, Leïla)
- No. 12 Scène « Entends au loin ... » (Nourabad, Leïla, Zurga)
- No. 13 Chœur dansé « Dès que le soleil » (Chœur)
- Scène et chœur « Sombres divinités » (Nourabad, chœur, Zurga)
- No. 14 Trio « Ô lumière sainte » (Leïla, Nadir, Zurga)
- No. 14 Scène : « Le jour enfin perce la nue ! » – « Non, ce n'est pas le jour » (Nourabad, chœur, Zurga)
- No. 15 Final : « C'est lui le traitre ! » – « Plus de crainte » (Nourabad, Zurga, Nadir, Leila, chœur)
- No. 16 Final "Ce sont eux, les voici" (Zurga, Nadir, Leïla, Nourabad, Chœur)
- « Qu’ai‐je vu ? Ô ciel, quel trouble ! » (Zurga, Leïla)
- « Je crois entendre encore »
- Overture
- “Au fond du temple saint”
Synopsis from Wikipedia, CC BY-SA 4.0.
Recommended recordings
- Orchestre National de France · Georges Prêtre YouTubeSpotify (subscription)
- Toulouse Capitole Orchestra · Michel Plasson YouTubeSpotify (subscription)

