Giuseppe Verdi
Italian opera composer
Giuseppe Fortunino Francesco Verdi ( VAIR-dee; Italian: [dʒuˈzɛppe ˈverdi]; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the modern province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron named Antonio Barezzi.
In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. Macbeth (1847) has been called his first masterpiece.
An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He found further fame with the three peaks of his "middle period": Rigoletto (1851), Il trovatore and La traviata (both 1853). He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893). Verdi's operas remain among the most popular in the repertoire. In 2013, the bicentenary of his birth was widely celebrated around the world with television and radio broadcasts and live performances.
Read more about this composer on Wikipedia.
- Un giorno di regno: Opera 1840 Stage
- Nabucco: Opera 1841 Stage
- Ernani: Opera 1843 Stage
- Giovanna d'Arco: Opera 1844 Stage
- Attila: Opera 1846 Stage
- Il trovatore: Opera 1850 Stage
- Rigoletto: Opera 1850 Stage
- La traviata: Opera 1852 Stage
- Aroldo: Opera 1854 Stage
- La forza del destino: Opera 1861 Stage
- Don Carlo: Opera 1865 Stage
- String Quartet in E minor 1873 Chamber
- Otello: Opera 1884 Stage
- Falstaff: Opera 1889 Stage
- Quattro pezzi sacri: For soloists, choir and orchestra 1889 Vocal
- Aida: Opera Stage
- Al tuo bambino: Song Vocal
- Album di Sei Romanze: Songs Vocal
- Alzira: Opera Stage
- Ave Maria: For soprano and strings Vocal
- Chi i bei dì m'adduce ancora: Song Vocal
- Cupo è il sepolcro e mutolo: Song Vocal
- Deh, pietoso, oh addolorata: Song Vocal
- Guarda che bianca luna: For soprano, tenor, bass and flute Vocal
- I Lombardi alla prima Crociata: Opera Stage
- I Masnadieri: Opera Stage
- I due Foscari: Opera Stage
- I vespri siciliani: Opera Stage
- Il brigidino: Song Vocal
- Il corsaro: Opera Stage
- Il mistero: Song Vocal
- Il poveretto: Song Vocal
- Il tramonto: Song Vocal
- In solitaria stanza: Song Vocal
- Inno delle nazioni: Cantata for tenor, choir and orchestra Vocal
- Jérusalem: Opera Stage
- L'abandonnée: Song Vocal
- L'esule: Song Vocal
- La battaglia di Legnano: Opera Stage
- La preghiera del poeta: Song Vocal
- La seduzione: Song Vocal
- La zingara: Song Vocal
- Laudate pueri: For 2 tenors, bass, choir and orchestra Vocal
- Lo spazzacamino: Song Vocal
- Luisa Miller: Opera Stage
- Macbeth: Opera Stage
- Mass in E flat major Vocal
- More, Elisa, lo stanco poeta: Song Vocal
- Nell'orror di notte oscura: Song Vocal
- Non t'accostare all'urna: Song Vocal
- Oberto, conte di San Bonifacio: Opera Stage
- Pater noster: For choir Vocal
- Perduta ho la pace: Song Vocal
- Pietà, Signor: Song Vocal
- Qui tollis: For tenor, clarinet and orchestra Vocal
- Requiem Vocal
- Sei Romanze: Songs Vocal
- Sgombra, o gentil: Song Vocal
- Simon Boccanegra: Opera Stage
- Stiffelio: Opera Stage
- Stornello: Song Vocal
- Symphony in C major Orchestral
- Tantum ergo in F major: For bass and orchestra Vocal
- Tantum ergo in G major: For tenor and orchestra Vocal
- Un ballo in maschera: Opera Stage
- È la vita un mar d'affanni: Song Vocal
The Long Line