Henryk Mikolaj Górecki

Polish composer

Henryk Mikołaj Górecki ( gə-RET-skee; Polish: [ˈxɛnrɨk miˈkɔwaj ɡuˈrɛt͡skʲi]; 6 December 1933 – 12 November 2010) was a Polish composer of contemporary classical music. According to critic Alex Ross, no recent classical composer has had as much commercial success as Górecki. He became a leading figure of the Polish avant-garde during the post-Stalin cultural thaw. His Anton Webern-influenced serialist works of the 1950s and 1960s were characterized by adherence to dissonant modernism and influenced by Luigi Nono, Karlheinz Stockhausen, Krzysztof Penderecki and Kazimierz Serocki. He continued in this direction throughout the 1960s, but by the mid-1970s had changed to a less complex sacred minimalist sound, exemplified by the transitional Symphony No. 2 "Copernician" and the Symphony No. 3 "Symphony of Sorrowful Songs". This later style developed through several other distinct phases, from such works as his 1979 Beatus Vir, to the 1981 choral hymn Miserere, the 1993 Kleines Requiem für eine Polka and his requiem Good Night.

Górecki was largely unknown outside Poland until the late 1980s. In 1992, 15 years after it was composed, a recording of his Symphony of Sorrowful Songs with soprano Dawn Upshaw and conductor David Zinman became a worldwide commercial and critical success, selling more than a million copies and vastly exceeding the typical lifetime sales of a recording of symphonic music by a 20th-century composer. Commenting on its popularity, Górecki said, "Perhaps people find something they need in this piece of music ... somehow I hit the right note, something they were missing. Something somewhere had been lost to them. I feel that I instinctively knew what they needed." This popular acclaim did not generate wide interest in Górecki's other works, and he pointedly resisted the temptation to repeat earlier success, or compose for commercial reward.

Apart from two brief periods studying in Paris and a short time living in Berlin, Górecki spent most of his life in southern Poland.

Read more about this composer on Wikipedia.

  • Amen, op. 34
  • Amen, op. 35
  • Beatus Vir, op. 38
  • Canticum graduum, op. 27
  • Chorus I, op. 20
  • Concerto for Five Instruments and String Quartet, op. 11
  • Concerto for Five Instruments and String Quartet, op. 11: 1. Sostenuto
  • Concerto for Five Instruments and String Quartet, op. 11: 2. Dolce
  • Concerto for Five Instruments and String Quartet, op. 11: 3. Non troppo
  • Concerto for Five Instruments and String Quartet, op. 11: 4. Marcato, ritmico
  • Concerto for Harpsichord and Strings, op. 40
  • Concerto for Harpsichord and Strings, op. 40: I. Allegro molto -
  • Concerto for Harpsichord and Strings, op. 40: II. Vivace marcatissimo
  • Concerto for Piano and Strings, op. 40
  • Concerto for Piano and Strings, op. 40: I. Allegro molto -
  • Concerto for Piano and Strings, op. 40: II. Vivace marcatissimo
  • Concerto-Cantata, op. 65
  • Concerto-Cantata, op. 65: I. Recitativo. Lento (quasi molto lento)
  • Concerto-Cantata, op. 65: II. Arioso. Lento assai tranquillissimo - Cantabile - Dolce
  • Concerto-Cantata, op. 65: III. Concertino. Allegro
  • Concerto-Cantata, op. 65: IV. Arioso e corale. Lento - Tranquillo cantabile - Dolce
  • Epitafium, op. 12
  • Euntes ibant et flebant, op. 32
  • Five Pieces for Two Pianos, op. 13
  • Five Pieces for Two Pianos, op. 13: I.
  • Five Pieces for Two Pianos, op. 13: II.
  • Five Pieces for Two Pianos, op. 13: III.
  • Five Pieces for Two Pianos, op. 13: IV.
  • Five Pieces for Two Pianos, op. 13: V.
  • For Anna
  • For You, Anne-Lill, op. 58
  • Four Preludes, op. 1
  • Four Preludes, op. 1: I. Molto agitato
  • Four Preludes, op. 1: II. Lento - Recitativo
  • Four Preludes, op. 1: III. Allegro scherzando
  • Four Preludes, op. 1: IV. Molto allegro quasi presto
  • From a Bird’s Nest, op. 9a
  • From a Bird’s Nest, op. 9a: No. 1. March
  • From a Bird’s Nest, op. 9a: No. 2. Folk Song
  • From a Bird’s Nest, op. 9a: No. 3. Old Melody
  • From a Bird’s Nest, op. 9a: No. 4. Scherzo
  • From a Bird’s Nest, op. 9a: No. 5. Second Folk Song
  • From a Bird’s Nest, op. 9a: No. 6. Interlude
  • From a Bird’s Nest, op. 9a: No. 7. Bagatelle
  • From a Bird’s Nest, op. 9a: No. 8. Second March
  • From a Bird’s Nest, op. 9a: No. 9. Finale à la danse
  • Genesis I: Elementi na trzy instrumenty smyczkowe, op. 19 nr. 1
  • Genesis II: Śpiewy instrumentalne, op. 19 nr. 2
  • Genesis III: Monodramma, op. 19 nr. 3
  • Good Night, op. 63
  • Good Night, op. 63: I. Lento. Adagio - Tranquillo
  • Good Night, op. 63: II. Lento tranquillissimo
  • Good Night, op. 63: III. Lento largo: Docissimo - Cantabillissimo
  • Intermezzo
  • Kantata, op. 26
  • Lerchenmusik, op. 53
  • Lerchenmusik, op. 53: I. Lento - Largo
  • Lerchenmusik, op. 53: II. Molto lento - Tranquilo. Cantabile - Dolce
  • Lerchenmusik, op. 53: III. Andante moderato - Tranquilo, cantabile
  • Lobgesang, op. 76
  • Lullaby, op. 9
  • Mazurkas, op. 41
  • Małe requiem dla pewnej polki, op. 66
  • Małe requiem dla pewnej polki, op. 66: I. Tranquillo
  • Małe requiem dla pewnej polki, op. 66: II. Allegro impetuoso - Marcatissimo
  • Małe requiem dla pewnej polki, op. 66: III. Allegro - Deciso assai
  • Małe requiem dla pewnej polki, op. 66: IV. Adagio cantabile
  • Miserere, op. 44
  • Miserere, op. 44: Domine Deus noster. Lento (♩ = 48), imploringly -
  • Miserere, op. 44: Domine Deus noster. Lento (♩ = 48-50), imploringly, dolce cantabile -
  • Miserere, op. 44: Domine Deus noster. Lento (♩ = 52), imploringly, poco espressivo -
  • Miserere, op. 44: Domine Deus noster. Lento (♩ = 54-56), imploringly, molto espressivo -
  • Miserere, op. 44: Domine Deus noster. Lento (♩ = 56), imploringly, affettuoso
  • Miserere, op. 44: Domine Deus noster. Lento -
  • Miserere, op. 44: Domine Deus noster. Meno mosso, lento molto tranquillo (♩ = 46), imploringly, tenderly -
  • Miserere, op. 44: Domine Deus noster. Molto lento - Lento maestoso (♩ = 54) -
  • Miserere, op. 44: Domine Deus noster. Molto lento - Poco più mosso ma lento assai (♩ = 58-60), imploringly, somewhat plaintively
  • Miserere, op. 44: Domine Deus noster. Poco più mosso, lento moderato (♩ = 69-72), molto espressivo, molto appassionato -
  • Miserere, op. 44: Miserere nobis. Lento, tranquillissimo, cantabilissimo, dolcissimo, IMPLORINGLY
  • Moment musical
  • Monologhi, op. 16
  • Muzyka staropolska, op. 24
  • O Domina nostra, op. 55
  • Pieśni Maryjne, op. 54
  • Pieśni Maryjne, op. 54: I. Matko niebieskiego Pana
  • Pieśni Maryjne, op. 54: II. Matko Najświętsza!
  • Pieśni Maryjne, op. 54: III. Zdrowaś bądź, Maryka
  • Pieśni Maryjne, op. 54: IV. Ach, jak smutne rozstanie
  • Pieśni Maryjne, op. 54: V. Ciebie na wieki wychwalać będziemy
  • Pieśni kościelne
  • Pieśń Rodzin Katyńskich, op. 81
  • Pięć pieśni Kurpiowskich, op. 75
  • Pięć pieśni Kurpiowskich, op. 75: I. Hej, z góry, z góry!
  • Pięć pieśni Kurpiowskich, op. 75: II. Ciamna nocka, ciamna
  • Pięć pieśni Kurpiowskich, op. 75: III. Wcoraj, dziwcyno, nie dzisiaj
  • Pięć pieśni Kurpiowskich, op. 75: IV. Z Torunia ja parobecek
  • Pięć pieśni Kurpiowskich, op. 75: V. Wysla burzycka, bandzie desc
  • Przybądź Duchu Święty, op. 61
  • Refren, op. 21
  • Salve, sidus Polonorum, op. 72
  • Sonata for Two Violins, op. 10
  • Sonata for Two Violins, op. 10: III. Andante con moto
  • Sonata no. 1, op. 6
  • Sonata no. 1, op. 6: I. Allegro molto, con fuoco
  • Sonata no. 1, op. 6: II. Grave pesante e corale
  • Sorrow: II
  • Sorrow: III
  • String Quartet no. 1, op. 62 "Already It Is Dusk"
  • String Quartet no. 2, op. 64 "Quasi una fantasia": I. Largo
  • String Quartet no. 2, op. 64 "Quasi una fantasia": II. Deciso, energico
  • String Quartet no. 2, op. 64 "Quasi una fantasia": III. Arioso
  • String Quartet no. 2, op. 64 "Quasi una fantasia": IV. Allegro
  • String Quartet no. 3, op. 67 "…songs are sung"
  • String Quartet no. 3, op. 67 "…songs are sung": I. Adagio - molto andanta - cantabile
  • String Quartet no. 3, op. 67 "…songs are sung": III. Allegro, sempre ben marcato
  • Sundry Pieces, op. 52
  • Sundry Pieces, op. 52: Recitative and Mazurka
  • Sundry Pieces, op. 52: Three Dodecaphonic Pieces: No. 2
  • Sundry Pieces, op. 52: Three Dodecaphonic Pieces: No. 3
  • Sundry Pieces, op. 52: Two Pieces: II. Molto andante
  • Symphony no. 1, op. 14 „1959“
  • Symphony no. 1, op. 14 „1959“: III. Choral
  • Symphony no. 1, op. 14 „1959“: IV. Lauda
  • Symphony no. 2, op. 31 “Copernican”
  • Symphony no. 2, op. 31 “Copernican”: I.
  • Symphony no. 3, op. 36 "Symphony of Sorrowful Songs"
  • Symphony no. 3, op. 36, "Symphony of Sorrowful Songs" Orchestral
  • Symphony no. 4 "Tansman Episodes", op. 85
  • Symphony no. 4 "Tansman Episodes", op. 85: I. Deciso - Marcatissimo ma ben tenuto
  • Symphony no. 4 "Tansman Episodes", op. 85: II. Largo-ben tenuto - Marcatissimo
  • Symphony no. 4 "Tansman Episodes", op. 85: III. Deciso-Marcatissimo - Tranquillo e Cantabile
  • Symphony no. 4 "Tansman Episodes", op. 85: IV. Allegro marcato - Giocoso - Deciso - Marcatissimo ma ben tenuto
  • Szeroka woda, op. 39: 1. A ta nasza narew (Oh, our river Narew). Lento malinconico
  • Szeroka woda, op. 39: 2. Oj, kiedy no Powislu (Oh, when in Powisle). Non troppo
  • Szeroka woda, op. 39: 3. Oj, Janie, Janie (Oh, Johnny, Johnny). Molto Lento - Dolce cantabile
  • Szeroka woda, op. 39: 5. Szeroka woda (Broad waters). Maestoso espressivo
  • Three Dances, op. 34
  • Three Dances, op. 34: No. 1. Presto, marcatissimo
  • Three Dances, op. 34: No. 2. Andante cantabile - Tranquillo
  • Three Songs, op. 3
  • Three Songs, op. 3: Do matki
  • Three Songs, op. 3: Jakiż to dzwon grobowy
  • Three Songs, op. 3: Ptak
  • Toccata for Two Pianos, op. 2
  • Totus Tuus, op. 60
  • Trzy utwory w dawnym stylu, nr 3
  • Two Sacred Songs, op. 30
  • Two Sacred Songs, op. 30: II. Głodny chodzę po mieście
  • Variations, op. 4
  • Wisło moja, Wisło szara, op. 46
  • Zderzenia-Scontri, op. 17