The Long LineThe Long Line

Jean-Philippe Rameau

La naissance d’Osiris, ou La fête Pamilie

Stage

La naissance d'Osiris, ou La fête Pamilie (The Birth of Osiris, or The Festival of Pamylia) is a one-act opera by Jean-Philippe Rameau, first performed on 12 October 1754 at Fontainebleau to celebrate the birth of King Louis XV's grandson, the future Louis XVI. The libretto is by Rameau's frequent collaborator Louis de Cahusac. Cahusac styled the work a ballet allégorique ("allegorical ballet"), but it is usually categorised as an acte de ballet. Its slender plot tells of Jupiter's announcement to a group of Egyptian shepherds of the birth of the god Osiris, who symbolises the baby prince. The piece may have started life as part of a larger work, Les beaux jours de l'Amour, an opéra-ballet Rameau and Cahusac planned but never completed for reasons which are still uncertain.

From Wikipedia, CC BY-SA 4.0.

Synopsis

Scene: The stage shows the temple of Jupiter

The shepherds rejoice at the peace their land enjoys; there is only one thing missing to make their happiness complete (chorus: "Coulez jours de paix, coulez jours heureux"). They bring their presents into the temple of Jupiter. A shepherd sings a musette celebrating the return of Spring and his love for Sylvie (musette: "Du printemps sur l'herbe fleurie"). A shepherdess vows to remain faithful to her lover (ariette: "Non, non, une flamme volage"). The sky darkens, lightning flashes and thunder rumbles; believing it is the wrath of Jupiter, the terrified shepherds start to flee (chorus: "Jupiter s'arme de la foudre"), but the High Priest reassures them that the god is pleased with their sacrifices and has good news for them (ariette: "La flamme des éclairs, les éclats du tonnerre"). The sky clears and Jupiter himself descends accompanied by Cupid and the Graces. He promises the people an era of peace and announces the birth of a hero (air: "Il est né, ce héros que vos vœux demande"). The priests pay homage to Jupiter and the shepherds rejoice (chorus: "Chants d'allégresse et de victoire", ariette for a shepherdess: "Volez, plaisirs, régnez, aimables jeux"). Jupiter returns to heaven, leaving Cupid behind to rule the earth. The opera concludes with a divertissement of dances, choruses and airs in praise of Cupid.

  1. Overture
  2. Musette
  3. Première et deuxième gavotte
  4. Rondeau gracieux
  5. Air de musette
  6. Premier et deuxième tambourin
  7. Air gracieux
  8. Musette tendre
  9. Marche gaye
  10. Première et deuxième gavotte 2
  11. Air majesteux et gracieux
  12. Air vif
  13. Contredanse

Synopsis from Wikipedia, CC BY-SA 4.0.

Elsewhere

← All of the composer’s works