Johann Pachelbel
German composer, organist and teacher
Johann Pachelbel (also Bachelbel; baptised 11 September [O.S. 1 September] 1653 – buried 9 March 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.
He was influenced by southern German composers, such as Johann Jakob Froberger and Johann Caspar Kerll, Italians such as Girolamo Frescobaldi and Alessandro Poglietti, French composers, and the composers of the Nuremberg tradition. He preferred a lucid, uncomplicated contrapuntal style that emphasized melodic and harmonic clarity. His music is less virtuosic and less adventurous harmonically than that of Dieterich Buxtehude, although, like Buxtehude, Pachelbel experimented with different ensembles and instrumental combinations in his chamber music and, most importantly, his vocal music, much of which features exceptionally rich instrumentation. Pachelbel explored many variation forms and associated techniques, which manifest themselves in various diverse pieces, from sacred concertos to harpsichord suites.
Read more about this composer on Wikipedia.
- Ach Gott, vom Himmel sieh darein
- Ach Gott, vom Himmel sieh darein (no. 1), P. 1, T. 9
- Ach Gott, vom Himmel sieh darein (no. 2), P. 2, T. 10
- Ach Herr, mich armen Sünder
- Ach Herr, mich armen Sünder (no. 1), P. 3, T. 11
- Ach Herr, mich armen Sünder (no. 2), P. 4, T. 12
- Ach Herr, mich armen Sünder (no. 3), P. 5
- Ach wie elend ist unsre Zeit
- Allein Gott in der Höh' sei Ehr'
- Allein Gott in der Höh' sei Ehr' (no. 1), P. 10, T. 14
- Allein Gott in der Höh' sei Ehr' (no. 2), P. 11, T. 15
- Allein Gott in der Höh' sei Ehr' (no. 3), P. 12
- Allein zu dir, Herr Jesu Christ
- Allein zu dir, Herr Jesu Christ, P. 13, T. 16
- Allein zu dir, Herr Jesu Christ, P. 14, T. 17
- An Wasserflüssen Babylon
- An Wasserflüssen Babylon (no. 1), P. 17, T. 18
- An Wasserflüssen Babylon (no. 2), P. 18, T. 19
- An Wasserflüssen Babylon (no. 4), P. 20
- Aria and 3 variations in A major, P. 25, T. 218
- Aria and 4 Variations in A minor, P. 26, T. 219
- Aria and 5 Variations in E minor, P. 194, T. 212
- Aria and 5 Variations in E minor, P. 194, T. 212: I. Aria
- Aria and 5 Variations in E minor, P. 194, T. 212: II. Variatio I
- Aria and 5 Variations in E minor, P. 194, T. 212: III. Variatio II
- Aria and 5 Variations in E minor, P. 194, T. 212: IV. Variatio III
- Aria and 5 Variations in E minor, P. 194, T. 212: V. Variatio IV
- Aria and 5 Variations in E minor, P. 194, T. 212: VI. Variatio V
- Aria and 6 Variations in D major, P. 22, T. 217
- Aria and 6 variations in A minor, P. 197, T. 215
- Aria and 6 variations in D minor, P. 193, T. 211
- Aria and 6 variations in D minor, P. 193, T. 211: I. Aria
- Aria and 6 variations in D minor, P. 193, T. 211: II. Variatio I
- Aria and 6 variations in D minor, P. 193, T. 211: III. Variatio II
- Aria and 6 variations in D minor, P. 193, T. 211: IV. Variatio III
- Aria and 6 variations in D minor, P. 193, T. 211: V. Variatio IV
- Aria and 6 variations in D minor, P. 193, T. 211: VI. Variatio V
- Aria and 6 variations in D minor, P. 193, T. 211: VII. Variatio VI
- Aria and 6 variations in F major, P. 195, T. 213: I. Aria
- Aria and 6 variations in F major, P. 195, T. 213: II. Variatio I
- Aria and 6 variations in F major, P. 195, T. 213: III. Variatio II
- Aria and 6 variations in F major, P. 195, T. 213: IV. Variatio III
- Aria and 6 variations in F major, P. 195, T. 213: V. Variatio IV
- Aria and 6 variations in F major, P. 195, T. 213: VI. Variatio V
- Aria and 6 variations in F major, P. 195, T. 213: VII. Variatio VI
- Aria with 9 variations in A major, P. 28, T. 341
- Arietta and 9 variations in F major, P. 29, T. 220
- Auf meinen lieben Gott
- Auf meinen lieben Gott (no. 1), P. 30, T. 20
- Auf meinen lieben Gott (no. 2), P. 31
- Auf, werte Gäst, P. 32, T. 431
- Augen, streuet Perlentränen, P. 33, T. 432
- Aus tiefer Not Schrei ich zu dir (no. 1), P. 35, T. 13
- Aus tiefer Not schrei ich zu dir (no. 2), P. 36
- Canon
- Canon (Rosa Mystica)
- Canon (over a Basso Ostinato)
- Canon and Gigue in D major, P. 37, T. 337: I. Canon
- Canon and Gigue in D major, T. 337
- Canon and Gigue in D major, T. 337: II. Gigue
- Canon and Gigue in D major, for 3 violins and continuo, T.337, "Pachelbel's Canon" Chamber
- Canon and Gigue in D major: I. Canon
- Canon and Gigue in D major: II. Gigue
- Canon in D
- Canon in D, Mostly
- Canon in F
- Chaconne in C major, P. 38, T. 201
- Chaconne in D major
- Chaconne in D major (no. 1), P. 39, T. 202
- Chaconne in D major (no. 2), P. 40, T. 203
- Chaconne in D minor, P. 41, T. 204
- Chaconne in F major, P. 42, T. 205
- Chaconne in F minor, P. 43, T. 206
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: I. Chorale
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: II. Partita I
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: III. Partita II
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: IV. Partita III
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: V. Partita IV
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: VI. Partita V
- Chorale Partita “Ach, was soll ich Sünder machen”, P. 7a: VII. Partita VI
- Christ lag in Todesbanden (no. 1), P. 58, T. 22
- Christ lag in Todesbanden, P. 60, T. 371
- Christ unser Herr zum Jordan kam (no. 1), P. 61, T. 23
- Christ unser Herr zum Jordan kam (no. 2), P. 62
- Christe, der du bist Tag und Licht
- Christe, der du bist Tag und Licht (no. 2), P. 64
- Christmas Canon
- Christus, der ist mein Leben, P. 376
- Christus, der ist mein Leben, P. 376: Chorale
- Christus, der ist mein Leben, P. 376: Partita I
- Christus, der ist mein Leben, P. 376: Partita II
- Christus, der ist mein Leben, P. 376: Partita III
- Christus, der ist mein Leben, P. 376: Partita IV
- Christus, der ist mein Leben, P. 376: Partita IX
- Christus, der ist mein Leben, P. 376: Partita V
- Christus, der ist mein Leben, P. 376: Partita VI
- Christus, der ist mein Leben, P. 376: Partita XI
- Christus, der ist mein Leben, P. 376: Partita XII
- Christus, der uns selig macht, P. 69bis
- Compositionen zumeist Fugen über das Magnificat
- Compositionen zumeist Fugen über das Magnificat: I. Magnificat primi toni
- Compositionen zumeist Fugen über das Magnificat: II. Magnificat secundi toni
- Compositionen zumeist Fugen über das Magnificat: VII. Magnificat septimi toni
- Da Jesus an dem Kreuze stund
- Da Jesus an dem Kreuze stund (no. 1), P. 70, T. 24
- Da Jesus an dem Kreuze stund (no. 2), P. 71
- Das Gewitter, P. 75, T. 434
- Der Herr ist König
- Der Herr ist mein getreuer Hirt
- Der Herr ist mein getreuer Hirt (no. 4), P. 83
- Der Tag, der ist so Freudenreich, P. 85, T. 27
- Der Widder Abrahams, P. 86, T. 436
- Die freuderfüllten Abendstunden, P. 100, T. 437
- Dies sind die heil'gen zehn Gebot
- Dies' sind die heil'gen zehn Gebot' (no. 1a) , P. 50a, T. 1
- Durch Adams Fall ist ganz verderbt (no. 3), P. 105, T. 30
- Earth Angel
- Ein feste Burg ist unser Gott (no. 1), P. 106, T. 31
- Ein feste Burg ist unser Gott (no. 2), P. 107
- Ein' feste Burg ist unser Gott
- Epilogue (Canon)
- Erbarm dich mein, o Herre Gott (no. 1), P. 109, T. 32
- Erbarm dich mein, o Herre Gott (no. 2), P. 110
- Es muss die Sinne ja erfreuen, P. 113, T. 438
- Es spricht der Unweisen Mund wohl (no. 1), P. 114, T. 34
- Es spricht der Unweisen Mund wohl (no. 2), P. 115, T. 35
- Es woll uns Gott genädig sein (no. 1), P. 118, T. 36
- Es woll uns Gott genädig sein (no. 2), P. 119, T. 37
- Fantasia in A minor, P. 126, T. 256
- Fantasia in C major, P. 123, T. 251
- Fantasia in D minor
- Fantasia in G minor, P. 128, T. 255
- Final Mixdown
- Freu dich sehr, o meine Seele, P. 129, T. 87
- Fugue in A major, P. 139, T. 283
- Fugue in A minor
- Fugue in B minor, P. 141, T. 286
- Fugue in C major (no. 1), P. 131, T. 261
- Fugue in C major (no. 11), P. 150, T. 269
- Fugue in C major (no. 12), P. 151, T. 270
- Fugue in C major (no. 2), P. 132, T. 272
- Fugue in C major (no. 3), P. 142, T. 262
- Fugue in C major (no. 9), P. 148, T. 265
- Fugue in C minor, P. 152, T. 273
- Fugue in D major (no. 1), P. 133, T. 275
- Fugue in D major (no. 2), 153bis
- Fugue in D minor
- Fugue in D minor (no. 2), P. 155
- Fugue in E minor (no. 1), P. 135, T. 277
The Long Line